 The
                      Science Notebook
        Lionel Chem-Lab
            - Chapter 20
The
                      Science Notebook
        Lionel Chem-Lab
            - Chapter 20 
                  
        
        
        
    
NOTE:  This book was published in 1942 as a manual to
      accompany several Lionel Chemistry sets of the time.  While
      some of the experiments and activities here may be safely
      done as written, a number of them use chemicals and methods no
      longer considered safe.  In addition, much of the
      information contained in this book about chemistry and other
      subjects is outdated and some of it is inaccurate.
       Therefore, this book is probably best appreciated for its
      historical value rather than as a source for current information
      and good experiments.  If you try
      anything here, please understand that you do so at your
      own risk.  See our Terms of Use.
    
    Pages 211 - 220 
        
      
 
    CHAPTER XX
    INKS
    Inks for writing purposes have been known for
      thousands of years. In ancient days they were black and, like
      modern India ink, derived their color from carbon. When tannic
      acid, a product of nut galls, combines with iron sulfate, a
      substance known as ferrous
        tannate is formed which is the essential constituent of
      ordinary black ink. Other substances such as hydrochloric and
      carbolic acids and a suitable dye are added to make up the ink for
      writing purposes. Ferrous tannate is nearly colorless, but when
      the ink is exposed to the air, the ferrous salt is oxidized to a
      ferric salt which then develops the black iron compound. A blue
      dye is usually added to give immediate color to the writing. This
      is why ordinary fountain pen ink first appears blue but changes to
      black. 
    EXPERIMENT No. 517 How Commercial Writing Ink Is
      Prepared
    (CL-11, CL-22, CL-33, CL-44, CL-55, CL-66, CL-77)
    
    APPARATUS:
    Tannic acid, sodium ferrocyanide, ferric ammonium sulfate, test tube
    and pen.
    
    PROCEDURE:
    Dissolve one measure of tannic acid and one measure of sodium
    ferrocyanide in a test tube half full of water. Dissolve two
    measures of ferric ammonium sulfate in another test tube one quarter
    full of water. Mix the two solutions thoroughly. Try writing with
    this ink, adding a little water if the ink is not free flowing.
    Preserve the ink, if you wish, by adding a few drops of carbolic
    acid.
    EXPERIMENT No. 518 A Special Black Ink Powder
    (CL-66, CL-77)
    
    APPARATUS:
    Tannic acid, ferric ammonium sulfate, mortar and pestle.
    
    PROCEDURE:
    Place one measure of tannic acid and one measure of ferric ammonium
    sulfate into the mortar. Mix thoroughly by grinding. Put the powder
    into a container and add water whenever
    black ink is needed.
    EXPERIMENT No. 519 A Formula For A Blue Writing
      Ink
    (CL-66, CL-77)
    
    APPARATUS:
    Sodium ferrocyanide, ferric chloride, two test tubes. 
    
    PROCEDURE:
    Dissolve two measures of sodium ferrocyanide in a test tube one
    quarter full of water. Dissolve one measure of ferric 
    211
     
    
    212 INKS
    
     International
        Printing Ink Co.
    Varnishes, dryers
        and pigments for printers ink are mixed in this large "dough
        mixer" which has a capacity of about 300 pounds.
    
    LIONEL
        CHEM-LAB 213
    chloride in another test tube one quarter full of water. Mix the two
    solutions and note the blue color. This ink is Prussian blue, often
    used in the dye industry.
    EXPERIMENT No. 520 Blue Ink Powder 
    (CL-66, CL-77)
    
    APPARATUS:
    Sodium ferrocyanide, ferric ammonium sulfate, mortar and pestle.
    
    PROCEDURE:
    Place two measures of sodium ferrocyanide and one measure of ferric
    ammonium sulfate in the mortar. Grind the contents into a fine
    powder. Put this powder into a container and add water whenever blue
    ink is needed.
    EXPERIMENT No. 521 Canary Yellow Ink
    (CL-77)
    
    APPARATUS:
    Tannic acid, sodium chromate, test tube.
    
    PROCEDURE:
    Place one half measure of sodium chromate in a test tube. Dissolve
    one measure of tannic acid in another test tube one quarter full of
    water. Pour the tannic acid solution into the sodium chromate. Shake
    test tube thoroughly for one minute and a canary yellow ink will
    result.
    EXPERIMENT No. 522 Making Yellow Ink Brown
    (CL-77)
    
    APPARATUS:
    Tannic acid, sodium chromate, manganese sulfate and test tubes.
    
    PROCEDURE:
    Follow the same procedure as in the preceding experiment and add one
    measure of manganese sulfate. Note the color change.
    
    SUMMARY:
    Manganese sulfate when treated with sodium chromate and tannic acid
    produces a cocoa-brown color.
    EXPERIMENT No. 523 A Secret Formula
    (CL-77)
    
    APPARATUS:
    Copper sulfate, sodium chromate, tannic acid and test tubes.
    
    PROCEDURE:
    Place one measure of copper sulfate and one half measure of sodium
    chromate in a test tube. Dissolve two measures of tannic acid in
    another test tube one quarter full of water. Add the tannic acid
    solution to the mixture. Note the resulting color.
    
    SUMMARY:
    Copper sulfate produces a yellowish-green ink when treated with a
    solution of tannic acid and sodium chromate.
    
    
    214 INKS
    EXPERIMENT No. 524 A Green Ink
    (CL-77)
    
    APPARATUS:
    Copper sulfate, sodium chromate, ammonium hydroxide and test tubes.
    
    PROCEDURE:
    Prepare yellowish green ink as described in the preceding
    experiment. Add two drops of ammonium hydroxide. Note the resulting
    color. The yellowish-green ink is turned to a solid green when
    ammonium hydroxide is added.
    EXPERIMENT No. 525 Preparing Moss-green Ink
    (CL-77)
    
    APPARATUS:
    Tannic acid, sodium chromate, magnesium sulfate and test tubes.
    
    PROCEDURE:
    Place one measure of magnesium sulfate and. one half measure of
    sodium chromate in a test tube. Dissolve two measures of tannic acid
    in another test tube one quarter full of water. Add the tannic acid
    solution to the above mixture and note the color of the ink.
    
    SUMMARY:
    Magnesium sulfate when treated with tannic acid and sodium chromate
    produces moss-green ink.
    EXPERIMENT No. 526 Carmine Writing Ink
    (CL-77)
    
    APPARATUS:
    Cochineal, funnel, filter paper and writing pen.
    
    PROCEDURE:
    Place three measures of cochineal in a test tube half full of water
    and boil until the solution becomes deep red. Try writing with this
    solution, then filter and collect the red ink in another tube. To
    preserve, add a few drops of carbolic acid.
    EXPERIMENT No. 527 Mixing Two Different Colors
    (CL-77)
    
    APPARATUS:
    Cochineal, galena, hydrochloric acid, sodium chromate, alcohol lamp,
    test tubes.
    
    PROCEDURE:
    Prepare a solution of lead chloride as described in Experiment No.
    421. Dissolve one half measure of sodium chromate in a test tube one
    quarter full of water. Now add the lead chloride solution. Dissolve
    one measure of cochineal in another test tube one-quarter full of
    water. Add the cochineal to the chromate solution and note the
    brilliant yellow color.
    EXPERIMENT No. 528 Formula For Violet Ink
    (CL-33, CL-44, CL-55, CL-66, CL-77)
    
    APPARATUS:
    Logwood, aluminum sulfate, test tube, alcohol lamp or candle.
    
    PROCEDURE:
    Place two measures of logwood in a test tube one
    
    
    LIONEL
        CHEM-LAB 215
    quarter full of water and heat for several minutes. Dissolve half a
    measure of aluminum sulfate in the solution and a violet ink will
    result.
    
    SUMMARY:
    Violet ink is obtained.
    EXPERIMENT No. 529 How To Make Loowood Ink
    (CL-44, CL-55. CL-66, CL-77)
    
    APPARATUS:
    Logwood, sodium carbonate, test tubes, alcohol lamp or or candle.
    
    PROCEDURE:
    Dissolve two measures of sodium carbonate in a test tube one quarter
    full of water. Put one measure of logwood in another test tube one
    quarter full of water and boil for a few minutes. Add the extract to
    the sodium carbonate solution. A dark brown ink will result.
    EXPERIMENT No. 530 Brown Writing Ink
    (CL-55, CL-66, CL-77)
    
    APPARATUS:
    Sodium ferrocyanide, copper sulfate and test tube.
    
    PROCEDURE:
    Dissolve one measure of copper sulfate in a test tube half full of
    water. Add one measure of sodium ferrocyanide and shake well. Brown
    colored ink will result.
    EXPERIMENT No. 531 How To Make Gold Inks
    (CL-11, CL-22, CL-33, CL-44, CL-55, CL-66, CL-77)
    
    APPARATUS:
    Bronze powder, honey, calcium oxide and sodium carbonate.
    
    PROCEDURE:
    Prepare a solution of sodium hydroxide as described in Experiment
    No. 344. Place two measures of bronze powder in the mortar. Add two
    drops of sodium hydroxide and five drops of honey. Grind until it
    becomes a fine gold paste which may be diluted to proper consistency
    by adding sodium hydroxide solution.
    EXPERIMENT No. 532 A Secret Formula For Green Ink
    (CL-11, CL-22, CL-33, CL-44, CL-55, CL-66, CL-77)
    
    APPARATUS:
    Sodium ferrocyanide, ferric ammonium sulfate, test tube and some
    barberry twigs.
    
    PROCEDURE:
    Place two or three measures of barberry shavings into a test tube
    containing half an inch of water. Heat until a yellow color sets in.
    Boil for a minute then add one measure of sodium ferrocyanide and a
    small crystal of ferric ammonium sulfate and a green ink will result
    .
    
    216
        INKS  
    EXPERIMENT No. 533 Black Ink
    (CL-11, CL-22, CL-33, CL-44, CL-55, CL-66, CL-77)
    
    APPARATUS:
    Tannic acid, ferric ammonium sulfate and test tube. 
    
    PROCEDURE:
    Dissolve one half measure of tannic acid in a test tube one quarter
    full of water. Dissolve one half measure of ferric ammonium sulfate
    in a test tube one quarter full of water. Mix the two solutions to
    obtain a good black writing ink.
    EXPERIMENT No. 534 A Formula For Red Ink 
    (CL-33, CL-44, CL-55, CL-66, CL-77) 
    
    APPARATUS:
    Sodium bisulfate, logwood, aluminum sulfate, test tube, alcohol lamp
    or candle. 
    
    PROCEDURE:
    Place one measure of logwood in a test tube one quarter full of
    water. Heat until the color is extracted. Add one half measure of
    aluminum sulfate and one measure of sodium bisulfate, then shake to
    dissolve the materials. This makes a good red ink. 
    EXPERIMENT No. 535 A Brilliant Red Ink
    (CL-77)
    
    APPARATUS:
    Cochineal, ammonium hydroxide, alcohol lamp and test tubes.  
    
    PROCEDURE:
    Put one measure of cochineal in a test tube one quarter full of
    water. Heat test tube to boiling, then remove from flame and add
    five drops of ammonium hydroxide. 
    
    SUMMARY:
    When cochineal is treated with ammonium hydroxide, a brilliant red
    color is produced. 
    EXPERIMENT No. 536 Red Pink Powder
    (CL-77)
    
    APPARATUS:
    Cochineal, mortar and pestle. 
    
    PROCEDURE:
    Place three measures of cochineal in your mortar. Grind thoroughly
    until it becomes a fine powder. Put this into a container and add
    water whenever red ink is needed. 
    EXPERIMENT No. 537 Printing Ink  
    (CL-66, CL-77)  
    
    APPARATUS:
    Charcoal powder, sodium ferrocyanide, ferric chloride, test tubes. 
    
    PROCEDURE:
    Dissolve one measure of sodium ferrocyanide in a test tube one
    quarter full of water. Dissolve one measure of ferric chloride in
    another test tube containing the same amount of water. Mix the two
    solutions. Add two measures of charcoal powder. Stir
    
    
    LIONEL
        CHEM-LAB 217
    the materials with your glass stirring rod until a smooth, even
    emulsion is formed. This ink will be similar to that used by
    printing industry. 
    EXPERIMENT No. 538 How To Prepare Safety Ink
    (CL-66, CL-77)
    
    APPARATUS:
    Sodium silicate, powdered charcoal, mortar and pestle.
    
    PROCEDURE:
    Place one measure of powdered charcoal in the mortar. Add one
    spoonful of sodium silicate solution. Stir and mix thoroughly. A
    black, indelible ink will result. The name "safety ink" is applied
    to any ink which makes erasing and alteration difficult.
    EXPERIMENT No. 539 Making Another Type Or Safety
      Ink
    (CL-66, CL-77)
    
    APPARATUS:
    Tannic acid, ferric ammonium sulfate, sodium silicate solution,
    powdered charcoal, mortar and pestle.
    
    PROCEDURE:
    Dissolve one measure of tannic acid and an equal amount of ferric
    ammonium sulfate in a test tube one quarter full of water. Add a
    spoonful of sodium silicate solution. Place the mixture in the
    mortar together with two measures of powdered charcoal. Grind
    thoroughly with the pestle. Note the indelible black ink.
    EXPERIMENT No. 540 Decomposition Of Ink
    (CL-77)
    
    APPARATUS:
    Ammonium hydroxide, logwood, copper sulfate, alcohol lamp and test
    tubes, aluminum sulfate.
    
    PROCEDURE:
    Place one measure of logwood in a test tube one quarter full of
    water. Heat the solution to extract color from the wood. Dissolve
    one measure of aluminum sulfate in another test tube containing one
    inch of water. Add four drops of ammonium hydroxide to the aluminum
    sulfate. Heat test tube to boiling for a minute or two. Set aside
    until cool, then add the logwood extract and note the color
    formation. Dissolve one measure of copper sulfate in another test
    tube one quarter full of water. Add the copper sulfate to the above
    compound and note how the color of the solution is transformed.
    
    SUMMARY:
    Ammonium alum plus logwood produces a violet color ink. This ink
    decomposes slowly upon the addition of copper sulfate to form a
    blue-black color.
    EXPERIMENT No. 541 An Ink Remover
    (CL-55, CL-66, CL-77)
    
    APPARATUS:
    Tartaric acid, calcium hypochlorite, test tube and small, soft
    brush.
    
    218 INKS
    PROCEDURE:
    Dissolve one half measure of tartaric acid and one half measure of
    calcium hypochlorite in a test tube containing a half inch of water.
    Brush some of this solution over some writing done with ordinary
    ink. Note how the writing disappears. 
    A number of "secret" inks can be prepared which
      when heated or exposed to dry air become visible. `
    EXPERIMENT No. 542 A Secret Formula For
      Sympathetic Ink
    (CL-66, CL-77)
    
    APPARATUS:
    Rice, iodine (drug store), mortar and pestle.
    
    PROCEDURE:
    Place three measures of rice in your mortar and grind it to a fine
    powder. Place one small crystal of iodine in a test tube one quarter
    full of water. Shake test tube to dissolve the crystal and then add
    the rice powder. Using this ink, write on a piece of paper and note
    how the writing disappears. (It will reappear when warmed). This
    sympathetic ink was used during the Indian Mutiny to conceal
    messages.
    EXPERIMENT No. 543 Making Invisible Ink
    (CL-33, CL-44, CL-55, CL-66, CL-77) 
    
    APPARATUS:
    Cobalt chloride, test tube, white paper and pen.
    
    PROCEDURE:
    Dissolve two measures of cobalt chloride in a test tube half full of
    water. Write on a sheet of white paper with this ink and note that
    the writing is invisible. Heat the paper carefully and note how the
    writing appears in blue. The writing gradually disappears as the
    paper is cooled. 
    EXPERIMENT No. 544 An Unusual Ink 
    (CL-44, CL-55, CL-66, CL-77)
    
    APPARATUS:
    Starch mixture, iodine crystals (drug store), writing pen, test
    tubes, and small camel’s hair brush.
    
    PROCEDURE:
    Dissolve one iodine crystal in a test tube one quarter full of
    water. Dip your pen into some starch mixture and write on a piece of
    paper. (Prepare starch mixture according to Experiment No. 688). Let
    the writing dry, then brush iodine solution over it lightly. 
    Starch produces an invisible writing which will appear if
    brushed with iodine solution. 
    EXPERIMENT No. 545 Another Secret Ink 
    (CL-11, CL-22, CL-33, CL-44, CL-55, CL-66, CL-77)
    
    APPARATUS:
    Lemon, writing pen and paper. 
    
    PROCEDURE:
    Squeeze some lemon juice into a test tube. Dip the  
    
    
    LIONEL
        CHEM-LAB 219
    pen into the juice and write your name on a piece of paper. Note how
    the name eventually disappears. Place the paper in a warm place and
    note that the name reappears.
    
    SUMMARY:
    Lemon juice was used during the World War to send secret messages.
    EXPERIMENT No. 546 Invisible Ink From Milk
    (CL-11, CL-22, CL-33, CL-44, CL-55, CL-66, CL-77)
    
    APPARATUS:
    Milk, pen, paper, alcohol lamp.
    
    PROCEDURE:
    Write a secret message using ordinary milk as ink. Note that the
    writing gradually disappears on standing. Put the paper in a warm
    place and the writing will reappear.
    EXPERIMENT No. 547 Restoring A Sympathetic Ink
    (CL-66, CL-77)
    
    APPARATUS:
    Nickel chloride, lemon juice, pen, paper, test tube and small
    camel’s hair brush.
    
    PROCEDURE:
    Dip pen into some lemon juice and write your name on a clean sheet
    of paper. Dissolve two measures of nickel chloride in a test tube
    half full of water. Dip the brush into the solution of nickel
    chloride and wash lightly over the lemon juice writing. Note that
    the letters are permanently restored.
    EXPERIMENT No. 548 How To Make A Durable
      Sympathetic Ink
    (CL-11, CL-22, CL-33, CL-44, CL-55, CL-66, CL-77)
    
    APPARATUS:
    Sodium bisulfate, pen and white paper.
    
    PROCEDURE:
    Dissolve five measures of sodium bisulfate in a test tube one
    quarter full of water. Write with this ink on a sheet of white paper
    and note that the writing is not visible. Place the paper near a
    flame and note that the writing reappears.
    EXPERIMENT No. 549 How To Take Fingerprints
    (CL-11, CL-22, CL-33, CL-44, CL-55, CL-66, CL-77)
    
    APPARATUS:
    Sodium ferrocyanide, ferric ammonium sulfate, test tube, sheet of
    white paper and wad of cotton.
    
    PROCEDURE:
    Dissolve two measures of sodium ferrocyanide in a test tube one
    quarter full of water. Dissolve one measure of ferric ammonium
    sulfate in a test tube one quarter full of water. Mix the two
    solutions, and note the blue coloring. Moisten the ball of the left
    index finger with this liquid, wiping off any excess with cotton.
    Press your finger on a sheet of paper rolling the finger from left
    to right to get a clean impression. By following the same procedure,
    you can make prints of all your fingers.
    The science of fingerprint identification is
      one of the important phases of modern criminology.
    
    220
        INKS 
    EXPERIMENT No. 550 A Blue Fingerprint Ink
    (CL-66, CL-77) 
    
    APPARATUS:
    Sodium ferrocyanide, ferric chloride and test tube. 
    
    PROCEDURE:
    Dissolve two measures of sodium ferrocyanide in a test tube one
    quarter full of water. Dissolve one measure of ferric chloride in
    another test tube one quarter full of water. Note the blue ink
    suitable for taking fingerprints.  
    EXPERIMENT No. 551 Discovering Fingerprints On
      Dark Objects 
    (CL-11, CL-22, CL-33, CL-44, CL-55, CL-66, CL-77)  
    
    APPARATUS:
    Sulfur, dark glass bottle, talcum powder.  
    
    PROCEDURE:
    Mix three measures of sulfur with six measures of white talcum
    powder. Handle a dark bottle until it is covered with your
    fingerprints. Dust some of the mixture evenly over the fingerprints
    and shake off the excess quantity. Warm the bottle gently to "set"
    the prints. This is how the police detect fingerprints on dark
    surfaces.
    EXPERIMENT No. 552 Discovering Fingerprints On
      Light Objects
    (CL-22, CL-33, CL-44, CL-55, CL-66, CL-77) 
    
    APPARATUS:
    Powdered charcoal, sulfur, a piece of white paper.  
    
    PROCEDURE:
    Mix four measures of powdered charcoal with an equal amount of
    sulfur. Breathe on your right index finger several times and then
    press it on the piece of paper. Note that the print is not visible.
    Dust some of the mixture over the paper and shake off the excess.
    Note that the fingerprint is now visible.
    
    SUMMARY:
    Heat the paper cautiously over a flame to preserve the print. 
    EXPERIMENT N0. 553 How To Make Typewriter Ribbon
    (cr.-sc, CL-77) 
    
    APPARATUS:
    Glycerine, ferric chloride, sodium ferrocyanide, test tubes, mortar
    and pestle. 
    
     PROCEDURE:
    Put five drops of glycerine and twenty measures of soap into your
    mortar. Dissolve one measure of ferric chloride and one measure of
    sodium ferrocyanide in a test tube one quarter full of water. Pour
    this solution into the mortar and stir until a smooth paste forms.
    Spread the paste smoothly on a narrow strip of white cloth and allow
    to dry for one half hour. 
    
    SUMMARY:
    This ink is easily absorbed by cloth and may be used in typewriter
    ribbons.
    
    
    
    
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